ZACK DIXON

​In the summer of 2022, I lead a team of four artists and one developer to produce a series of unique environments, designed to surround the audiences of the CMA fest artist party participants at an experimental projection venue in Nashville called Nightscape.

Environments were streamed directly from an Unreal Engine map to Disguise servers in realtime.

Each featured artist had a world built to match their personal theme. Some had cues taken from their bios to anchor the environments to their own history. Some were based directly off of pre-existing album branding, and all of them featured a lively animated ambience that sought not to detract from their performance, but felt active enough to convince the audience that they were sharing an alternate reality with the performer.